Intersecciones entre Texto e Imagen: Alexander Kluge y el Tratado Iconográfico

There is a field of intersection between text and image that throughout the history cinema has been configured as space subtle architectures where typographic sign (the letter) its sound emission voice) in conjunction with image, they form terrain new audiovisual grammars, for experimentation creation meaning original associations.Alexander Kluge's work undoubtedly special case forcing this relationship dimensions not only because he dedicated much his to both disciplines, writer filmmaker, but written word fluorescence renewed dialogue emerges around always enriching links archive, document, function memory critical view Present.This article emphasizes semiotic characteristics work, well peculiar conception treatise.